VideoQC - Automated & Visual Tools

videoQC - Automated and Visual Video QC Tools

Verify your video media quality manually or automatically

videoQC is a suite of video and audio analysis and playback tools with both visual and automated quality checking tools. videoQC will take the media coming into your facility and perform a series of automated tests on video, audio and metadata values against a template, then analyze the audio and video. It includes metadata extraction, comparison and templating tools, intuitive charting of audio and video metrics, a full set of audio and video waveform/vectorscope/phase tools, db and PDF reporting, file to file visual comparison, and clipping and exporting tools. videoQC's automated server components can run headless (no interface) for analysis tools. Integration with Net-X-Code suite provides quality control for IP based workflows. Each level of videoQC is designed to fill a particular level of the Quality Control workflow, from intern to master QC operators and even back end servers. The standard database format allows seamless and instant sharing of analysis results. Hot folders allow automation, optimizing those in the QC workflow.

Overview

The main tools in videoQC include:

Wide file format support, including everything from broadcast to post production and raw formats
RTP, UDP, SRT, RTSP, and NDI stream source support
Local, network (NFS, SMB, etc) and web/http(s) source support
Automated metadata generation and comparison to master file or template
Automated audio and video metric generation (levels, broadcast legal, sizes, types, rep, etc.)
Real time video playback to desktop and SDI/HDMI
Time code, closed caption, audio meter displays and overlays
Full set of scopes for analysis including:
- Waveform (YCbCr and RGB)
- Vectorscope
- Histogram
- Chromaticity (601, 709, 2020)
- Real time status
- Audio vectorscope
- Audio phase meter
- Audio histogram
- Audio waveform display
- Safe zones (action, title, graphic, picture)
Hex/Decimal video pixel video
Audio metering, RMS, EBU/r.128
Audio routing, up to 16 x 16 channels
File clipping and export, wrapping or standard broadcast formats
Compressed to original video comparison, including:
- Over under, side by side, difference with threshold, A-B, mirror butterfly, and more
- Flip sources, movable horizontal/vertical lines, alignment grid
- 3D viewing including interlace, side by side, anaglyph
- For a full list of comparison types, see the Compare tab below.

Main Interface and Displays

Real Time Playback with optional SDI/HDMI

videoQC is a full fledged player, capable of playing back almost any post production or broadcast file. Play files in the GUI with the computer's audio, or to SDI/HDMI via AJA, Bluefish444 or Blackmagic hardware. During playback, time code is displayed in real time, along with audio meters in RMS or EBU r.128 levels. Frame accurate seeking, by time code or absolute position, along with stepping, off speed play and forward/reverse play are all available via keyboard, mouse or external controller. Looping, palindrome and audio- or video- only playback are also available.

Zoom, Pan and Full Screen

Zoom and pan the video in pause or playback mode. Using the scroll wheel of the mouse, the image can be zoomed out to cover a wider part of the screen, or zoomed in to closely check individual pixels. Left clicking and dragging will move the image to view different parts while zoomed in. Clicking the right mouse button will fill the application with video, and clicking the middle button will set the image to pixel for pixel (where every image pixel is exactly one screen pixel). Zoom is available in windowed or full screen mode. Changing the video background color is also available using <CTRL><SHIFT>-mouse wheel.

Time Code Display

A dedicated time code field not only displays the current time code location, but allows the user to enter a known time code location within a selected clip, and press Enter to cue that frame. In Full Screen mode, an optional time code display may be overlaid. The user may select between available time code sources by clicking on the time code source field. Copy and pasting of time code is also available by using -c and -v

Closed Captioning

videoQC supports 608/708 Closed Captions. The closed caption information will be displayed over the video frame when enabled. Supported sources include SMPTE 436, CEA-708, OP-47/RDD-08, CEA-608, MCC, AAF, SCC, STL, EBU, embedded and many other formats. See the Closed Caption section below for more details.

Please note: The CC feature is only available when running under a temporary or permanent license. Please contact Drastic for a license if you want to test this feature.

File Trim And Export

videoQC supports trimming the current clip, or clip list, and exporting it to standard file formats including:

MXF Sony XDCAM
MXF DPP (AVCi)
MXF HDF (XDCAM)
MXF OP1a (DVHD, MPEG-2, h.264, AVCi, Uncompressed)
MOV (DVHD, AVCi, ProRes, Uncompressed)
MP4 (h.264/AVC1)

The export also allows for the closed captioning or audio files to be replaced during the creation of the new file.

Track Info

All versions of videoQC show basic track info on the main display, and provide a more detailed track info pop up. The track info includes the video parameters (width, height, bit depth, codec), the audio parameters (channels, bit size, frequency) and the basic metadata information (names, device names, aspect ratio, length, camera settings). For the more advanced versions, a separate comparison metadata window is available, and is described under the Analysis tab.

Audio Routing

videoQC has a full 16 by 16 audio routing panel (available in most versions). This allows audio signals to be routed or joined from any channel in the file to any channel on the output.

videoQC includes two main areas of automated analysis: Metadata and Metric. The metadata analysis analyzes the incoming file, and determines as many qualities as it can about it. This includes, but is not limited to, file container, channel type and number, frame rate, video height/width/codec/bit depth/aspect ratio/compression/color matrix, audio frequency/bit size/codec/channels/type, and embedded metadata like source/copyright/description/source device/camera settings/reel/take/scene/source/slate/comments. Any of these may be used to create a template to compare incoming files against. One or more templates may exist on a videoQC system, and they can be exported/imported and shared. As well as a go/no go return on this comparison, a visual table will highlight any differences between the file and the expected settings, for easy operator identification.

videoQC can also generate a full set of video metrics. These are stored in a SQLite database, so that other applications can access them, and do frame by frame checks including:

Video size, and frame type (I, P or B)
Luma, Chroma, Hue, Saturation Min, Max, High, Low, Average
Vertical line repetition
Broadcast legal
Optional PSNR or MS-SSIM charting when pre-compressed source is available
Audio loudness and RMS

The metric analysis can be manually or automatically started.

videoQC Pro (and above) features a full set of scopes. They can be viewed as a single large scope, or up to 6 scopes at one time (a second monitor is recommended). The following scopes are provided:

Vectorscope - Color accurate graticules automatically switch between SD (601), HD (709) and 4K/QHD (709 or 2020) color spaces. The markers include color points (for standard bar checks) at 75% and 100% saturation. All the standard points are boxed; red, magenta, blue, cyan, green and yellow. A skin tone/flesh line is provided to allow for easy hue adjustment as well as standard diagonals.

Waveform YCbCr - Displays the levels of the Y, Cb and Cr from the left of the picture to the right of the picture with all the lines summed into one graph. The Y, or luma/luminance, graph provides accurate white and black level information, as well as the range in between. The luma waveform supports standard, HDR10 (Dolby Vision /ST.2084) and HLG (Hybrid Log Gamma) display up to 10,000 nits.

Waveform Luma/NIT Light Level - Displays the overall intensity of the picture. Standard 601/709 levels are supported, as well as NITs display for HDR/ST 2084 and HLG signals.

Waveform YCbCr Parade - Displays the levels of the Y, Cb and Cr from the left of the picture to the right of the picture with all the lines summed into one graph. The Y, or luma/luminance, graph provides accurate white and black level information, as well as the range in between.

Waveform RGB - The RGB Waveform Monitor shows each of the red, green and blue signals as independent graphs, displaying the RGB, or chrominance/color values associated with the signal. Above is the stacked waveform, a parade waveform is also available.

Waveform RGB Parade - The RGB Waveform Monitor shows each of the red, green and blue signals as independent graphs, displaying the RGB, or chrominance/color values associated with the signal. Above is the parade waveform, a stacked waveform is also available.

CIE XY Gamut - The CIE XY Gamut, or chromaticity, scope provides a visual representation of the color in a video across all the colors of visible light. For a particular YCbCr range (BT.2020, P3, Rec.709, CCIR-601) a triangle can be superimposed to show the colors that fall within the acceptable range and those that are outside it. The color of the video within the CIE 1931 color display can be white, black, or the chromaticity hued background.

Histogram - The Histogram shows the distribution of red, green and blue within the signal as a series of discrete bars that make a continuous graph for each color. This display provides an overview of the tonal range of each color in the picture. Each bar is the count of the number of pixels for one of the 256/1024/4096 possible colors.

Histogram YCbCr - This histogram breaks up the signal in into luma and chroma components. The top histogram represents the luma power of the various levels in the signal. The Cb and Cr histograms that follow show the power distribution for those two components. A separate RGB histogram display is also available.

H/S Scope - The H/S Scope allows easy calibaration of lighting or camera to a standard DSC ChromaDumonde chart. The target color level or saturation is calibrated to a single horizontal line in the chart. The color hue component is mapped horizontally, with standard 601, 709 or 2020 targets as vertical lines.

Data View - The Data view allows access to the raw pixel values being monitored on the HDMI or SDI input. Raw values are captured and displayed with no manipulation by the software. This mode is perfect for checking vertical blank signalling and metadata, as well as picture issues like inner line sync markers or out of range colors. Pixel starts can be selected, along with lines, in the edit boxes above the data area.

Status - The Status view presents real time data on the overall signal in terms of gamut, maximum and minimum chroma and luma, audio levels and MaxFALL/MaxCLL for HDR signals. Any issues detected by the status panel are automatically entered in the log file and window with time, type, source and reason.

Audio Phase - The audio phase meter shows the relative density of two audio channels and the relative loudness as a line moving towards the louder channel.

Audio Vector Polar - The audio phase meter shows the relative density of two audio channels and the relative loudness as a line moving towards the louder channel.

Audio Vector Lissajous - The audio phase meter shows the relative density of two audio channels and the relative loudness as a line moving towards the louder channel.

Audio Vector Lissajous XY - The audio phase meter shows the relative density of two audio channels and the relative loudness as a line moving towards the louder channel.

Audio Histogram Linear - The audio histogram displays a bar chart of the levels of the components of an audio signal.

Audio Histogram Linear Reverse Log - The audio histogram displays a bar chart of the levels of the components of an audio signal.

Audio Histogram Log - The audio histogram displays a bar chart of the levels of the components of an audio signal.

Waveform - The waveform displays the selected pair's audio as a standard wave.

Luma - Show only the Y or brightness of the picture.

Red - Show only the red channel.

Green - Show only the green channel.

Blue - Show only the blue channel.

Zebra Luma - Draw zebra bars where the luma is too high or too low.

Zebra Chroma - Draw zebra bars where the chroma is out of range.

Clipping - Draw green anywhere the signal is too high or too low.

Edge Difference - Highlight every edge in the picture.

Focus Assist - Show areas of the image that are in focus.

Flip/Flop - Flip the picture horizontally or vertically.

False Color - Show each exposure level as a color.

Luma Key - Show the video luma keyed over a checkerboard or image.

Green Screen - Show the image green screen keyed over a checkerboard.

Green Screen Despill - Show the image green screen keyed with edge despilling over a checkerboard.

A Minus B With threshold

Anaglyph Amber-Blue

Anaglyph Green-Magenta

Anaglyph Red-Blue

Anaglyph Red-Cyan

Boxes With Size

Checkerboard 3D

Difference With Threshold Modifier

Dissolve With Mix

Grid (Available In All Modes)

Interlaced Eyes

Mirror

Onion Skin

Over Under

Seamless Split Horizontal (Adjustable)

Seamless Split Vertical (Adjustable)

Side By Side - Same Side

Side By Side - Full Picture

Side By Side

Wipe - Barn Doors Horizontal

Wipe - Barn Doors Vertical

Wipe - Bottom Center

Wipe - Box

Wipe - Dissolve

Wipe - Four Corners

WIpe - Four Square

Wipe - Horizontal

Wipe - Left Center

Wipe - Lower Left

Wipe - Lower Right

Wipe - Right Center

Wipe - Slide Down

Wipe - Slide Left

Wipe - Slide Right

Wipe - Slide Up

Wipe - Top Center

Wipe - Upper Left

Wipe - Upper Right

Wipe - Vertical

File Formats

Support is Windows + Mac unless otherwise indicated

Extension	File Format	Codec	Read
3GP	3GP 26x	h 264, 263, 261	X
4224	4224	YCbCr 4:2:2:4	X
AAF	Avid	AAF Masterclip locator files	X
AIFF	Apple audio	16/20/24/32 bit stereo pairs	X
ARC	IFX Piranha	Audio/Video (YCbCr/RGB 8 only)	X
ARI	Arri	Raw 12 bit bayer	X
Audio: BWF, 8SVX, AU, AVR, GSM, HCOM, IFF, PCM, SF, SMP, SND, VOC, WVE	Audio files	44.1/48/96 kHz 16, 20, 24 and 32 bit	X
AVC, AVCHD, MTS	AVC-HD	MPEG-2 camera media	X
AVI	Windows	DVSD, DV25, DV50, DVHD, CineForm, CineForm3D, YCbCr 8 & 10 SD/HD, standard codecs	X
AVS	AVS	Video redirection (Windows only)	X
BRAW	BlackMagic	BlackMagic camera B-Raw files	X
CDX	Codex	Codec raw bayer stills	X
CINE	Phantom	Phantom 10, 12 and 14 bit bayer	X
CRM	Canon	Canon raw stream	X
CRW	Canon	Canon camera raw stream	X
DASH	h.264	DASH Fragmented MP4 and Smooth Streaming	X
DNG	CinemaDNG	10, 12 and 16 bit bayer	X
DPX	Cineon	RGB 8, RGB 10, YCbCr 4:2:2	X
DPX	CineForm	CineForm, CineForm3D	X
DT3D	DT3D	XML 3D redirector	X
DV/DIF	DV/DIF	Raw DV files	X
DVS	DVS	Uncompressed YCbCr and RGB files	X
EXR	OpenEXR	High dynamic range float stills	X
fhgDI, fhgDP, fhgAP	fhgDI, fhgDP, fhgAP	Weisscam digimag format	X
FLM	FLM	Adobe FilmStrip	X
FLV/SWV	FLV/SWV	Flash/Shockwave video h.263/264	X
GEN	GEN	4:2:2 YCbCr (Avid DSHD)	X
GV	XML/N0/T/I/A	Grass Valley disk record native (K2)	X
GXF	GXF SMPTE 360	MPEG-2, DV25, DV50, DVHD	X
H264	h.264	4:2:0 SD/HD up to 80 mbits/sec	X
HDR	YUV	DV25, DV50, DVHD, AVCi100, RGB, Uncompressed YCbCr 8 & 10 SD/HD	X
HDR	YUV	YCbCr10, YCbCr16, DPX RGB, DNxHD*	X
HDV	HDV	MPEG-2 camera files	X
HLS	h.264	HLS TS MultiRate	X
IHSS	Iridas	RGB	X
ISMV ISMA	Smooth Streaming	h.264, AAC, WMV	X
JP2	JPEG-2000	Series of JPEG-2000 stills	X
JS	Jaleo/Mistika	Sgo native 4:2:2 YCbCr	X
KRW	Kinefinity	KineRAW Compressed Raw Stills and Stream	X
LUMA RMY BMY	LUMA RMY BMY	Uncompressed YCbCr	X
LXF	Leitch/Harris	DVSD, DV25, DV50, DVHD, AVCi50, AVCi100, MPEG-2, h.264	X
M3U8	HLS	h264, h265, TS or MP4	X
MKV	MKV	Matroska audio video, VPx, h.26x	X
MLV	Magic Lantern	Raw 14 bit bayer with PCM audio	X
MOV	QuickTime	DVSD, DV25, DV50, DVHD, AVCi100, DNxHD, CineForm, CineForm3D*, RGBA, RGB-10 (DPX), YCbCr 8 & 10 SD/HD, standard codecs	X
MOV	QuickTime	ProRes, h264, AVCi, MPEG-2, XDCam	X
MOV	Reference File	MOV reference file pointing at h264, ProRes, DV, AVCI	X
MP1/MP2/MP3	MP1/MP2/MP3	MPEG audio	X
MP4	AVC1,h.264	Apple h.264, h.264 AVC	X
MP4	HEVC, h.264	HEVC/265	X
MP4	XAVC-S	Sony XAVC-S HD/4K Cameras	X
MP4	MPEG-2	Sony/Canon camera	X
MPEG	MPEG-1	4:2:0 up to 15 mbits/sec	X
MPEG	MPEG-2	4:2:0/4:2:2 SD/HD up to 80 mbits/sec	X
MPEG	MPEG-4	4:2:0 up to 50 mbits/sec	X
MTS, M2TS	M2TS	AVC-HD camera files	X
MXF	AS-02	AVCi, DNxHD*, DVHD, JPEG-2000	X
MXF	AS-11 DPP UK	AVCi100, IMX 50	X
MXF	Avid	DV25, DV50, DVHD, DNxHD*, Uncompressed	X
MXF	Canon	MPEG-2	X
MXF	Digital Cinema	DCI JPEG-2000 Unencrypted, Uncompressed Audio	X
MXF	EditCam	DV25, DV50, DVHD, DNxHD*	X
MXF	Grass Valley	Grass Valley iCR	X
MXF	Harmonic	MPEG-2	X
MXF	h.264/AVC	MPEG-2	X
MXF	IMF	IMF JPEG-2000 YCbCr, Uncompressed Audio	X
MXF	JPEG-2000***	Grass Valley Infinity	X
MXF	OP1a	AmberFin, EVS, MainConcept, MOG, OpenCube, Rovi	X
MXF	OP1a/Omneon	DV25, DV50, DVHD, AVCi100, Uncompressed	X
MXF	OP1b	Panasonic AVCi 4K	X
MXF	Panasonic-P2	DV25, DV50, DVHD, AVCi100	X
MXF	Pinnacle	MPEG-2 SD/HD	X
MXF	Snell & Wilcox	MPEG-2, IMX	X
MXF	Sony	MPEG IMX	X
MXF	Sony	XDCamHD, XDCamEX 4:2:0/4:2:2	X
MXF	Sony	HDCam SR 4:2:2 and 4:4:4	X
MXF	Sony	F65 raw bayer	X
MXF	Sony	F5, F700 raw bayer	X
MXF	XAVC	XAVC HD and 4K	X
OGG	OGG	OGG audio video	X
OMF	OMF	DV25, JPEG, Meridien, AVBV, CamCutter	X
OMV	OMV	Uncompressed capture format	X
QNT	Quantel	Raw uncompressed YCbCr images	X
R3D	RED	Red camera files	X
RAW	ML/IOI	Magic Lantern RAW, IOIndustries RAW bayer	X
RBG	RED BLU GRN	Uncompressed RGB	X
RMF	RMF	Canon C500 raw 10 bit bayer files	X
RTIN	RTINDEX	Real time replay of CBR and VBR records while still recording	X
RTV	RTV	Uncompressed Video Toaster files (Windows only)	X
SEQ	Bayer	Raw camera seq bayer files	X
SIV	Bayer	Raw camera siv bayer files	X
Stills	Series of stills	BMP, SGI, PSD, RAW, YUV10, YUV16, VSR, RAS, RAW, JP2, JPG - Series of stills (many others)	X
TGA	Targa	RGB, RGBA (RLE Play Only)	X
TIFF	TIFF	RGB, RGBA	X
TR-01	TS J2K	JPEG-2000, AES3	X
TS	Transport stream	MPEG-2, h.264, h.265/HEVC, JPEG-2000, AAC, AC-3, AES3	X
V210	V210	4:2:2 10 bit YCbCr image sequence	X
VC1	VC-1	WMV of raw wrapper	X
VOB	VOB	Unencrypted	X
VPB/QTL	Quantel	Quantel uncompressed YCbCr images	X
VRW	Varicam Raw	Panasonic Varicam Raw	X
WAV	Wave audio	16/20/24/32 bit mono/stereo pairs/extensible	X
WEBM	WEBM	YouTube format	X
WMV/ASF	WMV/ASF	Unencrypted/DRM Free only	X
XAVC	X-AVC HD/4K	X-AVC 264 in MXF	X
Y4M	Y4M	YCbCr raw stream	X
YUV	YUV	4:2:2 and 4:2:0 YCbCr image sequence	X
Y U V	YUV	Multi file component YCbCr files	X

Closed Captions

videoQC supports a wide range of embedded/internal closed caption formats as well as external closed caption formats and subtitle formats. If any of these caption types are found in the same directory as the main file, with the same file name, they will automatically be loaded and displayed.

Embedded Caption Formats

MXF SMPTE 436 and Avid embedded
CEA 608, CEA 708, OP-47/RDD-08
MPEG-2, h.264, MPEG-4, AVC1 user space
TS/MTS CC in separate PID
GXF SMPTE 360
LXF Leitch/Harris
MOV CC Tracks

External Broadcast Caption Formats

SCC Scenarist SD Captions
MCC MacCaption Format 708 Captions
AAF Avid Format 708 Captions
STL EBU Broadcast Captions

Subtitle Caption Formats

Avid Caption - txt
Belle Nuit - stp
Comma Separated - csv
Digital Cinema 2007/2010 - xml
EBU Sub Titles - stl
Final Cut Pro - xml
Final Cut Pro X - xml
Flash - xml
iTunes Timed Text - txt
JSON (various) - json
QuickTime Text - txt
SAMI - smi
SoftNI - sub
Sony DVD Architect - sub
Sony DVD - txt
SubRip - srt
Sub Station Alpha - ssa
Swift - sif
Timed Text - dxfp, ttml, xml
WebVVT - vvt
YouTube Annotations - xml
YouTube - sbv
YouTube Transcript - txt

90 Seconds With videoQC

Full videoQC demo / walk through

videoQC Full Reference Tutorial

The following levels are available:

videoQC Workstation - Full on QC Database view/export, Generate QC data/events, with player, SDI I/O, scopes
videoQC Inspect - QC Database view/export with player, SDI I/O, scopes
videoQC Pro - SDI output plus real time scopes, with player
videoQC View - A player designed for front end, visual confirmation

And for the enterprise, videoQC Server - A back end server for automated QC with unlimited analysis (includes two separate videoQC licenses) plus player, SDI I/O, scopes.

Feature Comparison chart between videoQC versions

	View	Pro	Inspect	Workstation	Server
Player/View, most standard broadcast and post production files	X	X	X	X	X
SD, HD, 2K, QHD, 4K	X	X	X	X	X
HDR10, ST 2084, WCG, BT 2020	X	X	X	X	X
Time code, metadata display	X	X	X	X	X
Audio meters: RMS/Peak	X	X	X	X	X
Audio meters: EBU, R.128 Loudness	X	X	X	X	X
Closed caption display, CEA-608, CEA-708, OP-47, Subtitle formats	X	X	X	X	X
SDI HDMI output with AJA, Bluefish444 or Blackmagic card	X	X	X	X	X
Full set of audio and video scopes	X	X	X	X	X
Hex/decimal pixel display	X	X	X	X	X
File clipping and export	X	X	X	X	X
Audio routing	X	X	X	X	X
Automated metadata comparison to template	X	X	X	X	X
Video and audio metric charting	X	X	X	X	X
RS-422 serial control as a VTR	X	X	X	X	X
Export of results to PDF	X	X	X	X	X
Export of results to CSV, SQLite, and HTML	X	X	X	X	X
Automated video and audio metric generation	X	X	X	X	X
HTTP remote control and monitoring	X	X	X	X	X
Single ended analysis of metadata and audio/video	X	X	X	X	X
Full Reference Analysis - PSNR, SSIM, MS-SSIM	X	X	X	X	X
Full Reference Comparisons - original to source	X	X	X	X	X
HTTP job submission and results	X	X	X	X	X
Sentinel watch folder analysis and movement	X	X	X	X	X
Multi file simultaneous analysis	X	X	X	X	X

1. Using one of the included videoQC licenses

SDK and APIs

videoQC Server can be run remotely, by script or using watch folders. videoQC also supports copy/cut/paste, keyboard/mouse and a full RESTful HTTP API. There is more information available on these control systems available here:

https://www.drastic.tv/support-59/supporttipstechnical/26-controlling-videoqc

and a sample web page that uses the REST API is included in the installer:

The analysis results are output as a standard SQLite database, PDF and application return.

videoQC on a workstation can be loaded by command line/script, controlled by video keyboard or remote control, and cut/paste time code and can save uncompressed images as well as JPG grabs of the video. The workstation version also supports the REST API.

videoQC is also based on two Drastic APIs that are available to third party developers:

DrasticPreview SDK - A full preview engine from reading the file to playing out to audio devices, memory planes or OpenGL surfaces. More information is available here.
DTMediaRead SDK - Integrate all the file types we read into your own application. Read uncompressed audio and compressed or uncompressed YCbCr 10, YCbCr 10, RGBA or RGB 10 frames. More information is available here.

Download videoQC 7.0

End User License Agreement: International Canadian

Download videoQC Version 7.0 for Windows 64

Windows 7 or greater

Download videoQC 7.0 for Centos/RedHat

Centos/RedHat 7.4-7.8. Optional latest Blackmagic (10+) or AJA drivers (15.2)

Download videoQC OS-X

Optional latest BlueFish444 (5.13.x), Blackmagic (11.x) or AJA drivers (15.2)

When you first start videoQC, you will start a license dialog that will create and download a temporary license so that you can test all of the features of the program. Select the "Get Fully Functional Temp License" option. You will then enter your name and email address. The program will then ask you to check your email for the generated license key. Copy this key to the videoQC dialog that you just left, click the "register" button and restart videoQC. The whole process should not take more than a minute. Note: you must be connected to the internet for this licensing to occur. If you have any problems please email us at authorization@drastictech.com.

Download the manual: videoQC version 7 manual

Download the API docs: videoQC REST API

Contour Designs Shuttle Window: Shuttle Pro, Pro2, Xpress

Contour Designs Shuttle Pro2 OS-X: Shuttle Pro2

How To Purchase videoQC

videoQC is available as a full featured temporary demo, which allows you to confirm your workflow is supported. Once you are happy with videoQC, relicensing provides delivery of the permanent key.