ProRes itself is very well defined, and should be completely gamma/color shift free in the YCbCr domain at 10 bits per component. The transform to YCbCr from RGB can be specified within the compressed frame, and this same specification can be used to properly convert YCbCr to RGB. With both 4:2:2 and 4:4:4 variants and the metadata/compatibility of the MOV container, ProRes should be an ideal format for post production. This article explores why it often isn't.
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